chines music & instruments

chines music & instruments   

Origins and characteristics

Chinese music is copied again as a way that the third millennium manuscripts and instruments of the first periods of its history , however are not retained as a result of in 212, Shih Huang -ti Ch'in on September caused all the books and instruments to be destroyed and the music track to be arrested. However there have been consolidated ancient Chinese music schemes . Of primary importance is that the indisputable fact that music and philosophy of China, have been continuously linked inseparably , music theory and class are always symbolic and very stable over time nature. Chinese ancient hymns were slow and solemn and were in the midst of the terrible giant orchestras. extremely serious music was jointly developed . Chinese opera originated in the ordinal percent. as an important and sophisticated art .

Tone and instruments

In Chinese music, the only sound is more important than melody , tone is a very important attribute of the substance that produces it. Therefore, musical instruments square measure in eight separate categories according to the materials they are made of gourd ( sheng ) ? ? bamboo ( panpipes ) , wood ( chu, a percussion instrument shaped trough ), silk ( various types of zithern with silk strings ), clay ( globular flute ), metals (bell) , stone (sound rock) and skin ( drum) . Music is believed to possess cosmological and admire the moral connotations of Greek music . The failure of September 1 was attributed to their inability to find the right huang chung , or tone of absolute pitch .

The huang chung was created by a bamboo tube that about approximate the traditional field of play the voice of a man. alternative tubing is reduced , its length leading quantitatively accurate mathematical relation to the same . His tones were divided into 2 groups? Six male and 6 female tones . These were the LU, and its relationship to approach the mathematical cycle of fifths . Legend attributes its origin to the song, six to that of male birds and 6 of the feminine, and the tones of the 2 separate games were continuously without interruption.

The LU could not represent a scale , however. the size of the Chinese music scale gap , roughly portrayed by the black keys of the piano. From it , starting from completely different notes , many modes are also derived . The chant melody is proscribed by the actual fact that the melodic inflection influences the form of a word . Similarly , quantitative rhythms are not simply adaptable to the Chinese language.

Musical notation

Several types of notation used . Singers used the syllabic symbols for the 5 notes of the scale with gaps , as did the players pipelines. Players of the stone and the bell chimes , which were tuned to the LU, symbols portraying the names of the notes to the LU . Players of flutes and harps used a kind of musical notation. None of this notation indicates the pace .

Modern History

Throughout the political and social turmoil after the war , Western ( classical and popular) and Japanese sources dominated Chinese music . Today, Western ideas of harmony square as the use of active measures of the square though normally applied to vocal genres such as cantatas and works of musical theater, with instruction worth also as musical. The capital of Red China Opera has created several new works since 1949 , most of them regarding political issues . which is one of the few forums old fashion performance , although there is an ongoing effort led by the capital of Red China National Music Institute to preserve the few remains of the ancient musical track .

bibliography

See J. H. Levis, Foundations of Chinese Musical Art (2d ed. 1964); E. Halson, Peking Opera (1966); bibliography by F. Lieberman (1970, 2d ed. 1979).

source by http://education.yahoo.com/reference/encyclopedia/entry/Chinesem